{"title":"In girum imus nocte et consumimur igni","originalTitle":"In girum imus nocte et consumimur igni","src":"https:\/\/m.media-amazon.com\/images\/M\/MV5BOGQ3YzRmMTctMzJjNC00MjY5LTg4NWUtOGE1MWJlOTcyYjg1XkEyXkFqcGc@._V1_QL75_UY281_CR5,0,190,281_.jpg","srcset":"https:\/\/m.media-amazon.com\/images\/M\/MV5BOGQ3YzRmMTctMzJjNC00MjY5LTg4NWUtOGE1MWJlOTcyYjg1XkEyXkFqcGc@._V1_QL75_UY281_CR5,0,190,281_.jpg 190w, https:\/\/m.media-amazon.com\/images\/M\/MV5BOGQ3YzRmMTctMzJjNC00MjY5LTg4NWUtOGE1MWJlOTcyYjg1XkEyXkFqcGc@._V1_QL75_UY422_CR7,0,285,422_.jpg 285w, https:\/\/m.media-amazon.com\/images\/M\/MV5BOGQ3YzRmMTctMzJjNC00MjY5LTg4NWUtOGE1MWJlOTcyYjg1XkEyXkFqcGc@._V1_QL75_UY562_CR9,0,380,562_.jpg 380w","rate":"7","numVotes":"289","year":1981,"runtime":100,"isAdult":null,"type":null,"actors":[{"id":"8383376","name":"Rasit Tahtaci","const":"nm12516009"},{"id":"8383380","name":"Duygu Erkan","const":"nm4085240"}],"directors":[{"id":"24289","name":"Guy Debord","const":"nm0213499"}],"writers":[{"id":"48249","name":"Guy Debord","const":"nm0213499"}],"countries":[],"languages":[{"id":"11","name":"French","short":"fr"}],"genres":[{"id":"7","title":"Documentary"}],"metacritic":null,"releaseDate":"1981\/5\/6","plot":"A Latin palindrome is the title of Guy Debord\u0027s last film, in which he, as narrator, explains that he will make neither concessions to the tastes of his viewers nor to the dominant ideas of his day. After extensively insulting the audience that goes to the cinema to forget its heteronomous life, the film becomes autobiographical, using images from the world of spectacle: advertising brochures, clips from feature films (Les enfants du paradis), comics, aerial footage of Paris, tracking shots through Venice, photographs of friends - all commented on by Debord, with an at times melancholy undertone: \u0022This Paris no longer exists.\u0022 His assessment is that one of the great pleasures of his life has been the sensation of the passage of time, and as a witness to the disintegration of social order, he has loved his epoch.","wins":0,"nominations":null,"casts":[{"name":"Rasit Tahtaci","code":"nm12516009","characters":"Atesin etrafinda donen kisi"},{"name":"Duygu Erkan","code":"nm4085240","characters":"Atesin etrafinda donen kiz"}],"budget":null,"lifetimeGross":null,"openingWeekendGross":null,"worldwideGross":null,"keywords":[{"text":"still photography"},{"text":"situationism"},{"text":"semi autobiographical"},{"text":"paris france"},{"text":"italy"}],"production":[{"id":"co0040873","text":"Simar Films"}],"prestigiousAwardSummary":null,"moreLikeThisTitles":[{"code":"tt0070712","title":"The Society of the Spectacle"},{"code":"tt0410096","title":"Howlings in Favour of De Sade"},{"code":"tt0468851","title":"R\u00e9futation de tous les jugements, tant \u00e9logieux qu\u0027hostiles, qui ont \u00e9t\u00e9 jusqu\u0027ici port\u00e9s sur le film \u0027La soci\u00e9t\u00e9 du spectacle\u0027"},{"code":"tt0481910","title":"On the Passage of a Few Persons Through a Rather Brief Unity of Time"},{"code":"tt0048610","title":"Taira Clan Saga"},{"code":"tt0481821","title":"Critique of Separation"},{"code":"tt0092219","title":"Golden Eighties"},{"code":"tt0084628","title":"Sans Soleil"},{"code":"tt0228853","title":"Throw Away Your Books, Rally in the Streets"},{"code":"tt0058006","title":"Black God, White Devil"},{"code":"tt0073198","title":"Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles"},{"code":"tt4550098","title":"Nocturnal Animals"}]}