{"title":"Step Across the Border","originalTitle":"Step Across the Border","src":"https:\/\/m.media-amazon.com\/images\/M\/MV5BMjEwNTE5MjIwNl5BMl5BanBnXkFtZTcwNjQ4MzMyMQ@@._V1_QL75_UY281_CR4,0,190,281_.jpg","srcset":"https:\/\/m.media-amazon.com\/images\/M\/MV5BMjEwNTE5MjIwNl5BMl5BanBnXkFtZTcwNjQ4MzMyMQ@@._V1_QL75_UY281_CR4,0,190,281_.jpg 190w, https:\/\/m.media-amazon.com\/images\/M\/MV5BMjEwNTE5MjIwNl5BMl5BanBnXkFtZTcwNjQ4MzMyMQ@@._V1_QL75_UY422_CR6,0,285,422_.jpg 285w, https:\/\/m.media-amazon.com\/images\/M\/MV5BMjEwNTE5MjIwNl5BMl5BanBnXkFtZTcwNjQ4MzMyMQ@@._V1_QL75_UY562_CR8,0,380,562_.jpg 380w","rate":"8","numVotes":"318","year":1990,"runtime":90,"isAdult":null,"type":null,"actors":[{"id":"8545589","name":"Jonas Mekas","const":"nm0577263"},{"id":"8545592","name":"Julia Judge","const":"nm0431909"},{"id":"8545594","name":"John Spacely","const":"nm0816481"},{"id":"8545596","name":"Tom Walker","const":"nm0908264"},{"id":"8545598","name":"Ted Milton","const":"nm0590712"},{"id":"8545600","name":"Robert Frank","const":"nm1084362"},{"id":"8545602","name":"Fred Frith","const":"nm0295947"}],"directors":[{"id":"31283","name":"Nicolas Humbert","const":"nm0401695"},{"id":"31284","name":"Werner Penzel","const":"nm0672437"}],"writers":[{"id":"61075","name":"Nicolas Humbert","const":"nm0401695"},{"id":"61076","name":"Werner Penzel","const":"nm0672437"}],"countries":[],"languages":[{"id":"1","name":"English","short":"en"},{"id":"3","name":"German","short":"de"}],"genres":[{"id":"7","title":"Documentary"},{"id":"16","title":"Music"}],"metacritic":null,"releaseDate":"1990\/9\/27","plot":"In Step Across the Border two forms of artistic expression - improvised music and cinema direct - are interrelated. In both forms it is the moment that counts, the intuitive sense for what is happening in a space. Music and film come into existence out of an intense perception of the moment, not from the transformation of a preordained plan. In improvisation the plan is revealed only at the end. One finds it. The other connection concerns the work method: the film team as band. Much as musicians communicate via the music, our work, too, was realized within a very small and flexible team of equals. What mattered was exchange. And movement. Sometimes we started filming in the middle of the night, responding to a new idea that had arisen only minutes before. We had a fundamental feeling for what we wanted to do, for what kind of film this should be. And we followed that feeling. It was all very instinctive...","wins":1,"nominations":null,"casts":[{"name":"Jonas Mekas","code":"nm0577263","characters":"Butterfly Wing"},{"name":"Julia Judge","code":"nm0431909","characters":"Koan vom Klang einer Hand"},{"name":"John Spacely","code":"nm0816481","characters":"Koan vom Klang einer Hand"},{"name":"Tom Walker","code":"nm0908264","characters":"Koan vom Klang einer Hand"},{"name":"Ted Milton","code":"nm0590712","characters":"Television Dancer"},{"name":"Robert Frank","code":"nm1084362","characters":"Old Man in Train"},{"name":"Fred Frith","code":"nm0295947","characters":"Self"}],"budget":null,"lifetimeGross":null,"openingWeekendGross":null,"worldwideGross":null,"keywords":[{"text":"independent film"}],"production":[{"id":"co0035658","text":"Balzli \u0026 Cie Filmproduktion"},{"id":"co0051615","text":"Bayerischer Rundfunk (BR)"},{"id":"co0002166","text":"Cine Nomad"}],"prestigiousAwardSummary":null,"moreLikeThisTitles":[{"code":"tt0210302","title":"Gemini"},{"code":"tt0064153","title":"Charles, Dead or Alive"},{"code":"tt35453594","title":"Zikaden"},{"code":"tt14452174","title":"Soundtrack to a Coup d\u0027Etat"},{"code":"tt32298285","title":"Sir\u00e2t"},{"code":"tt33930077","title":"Typisch Emil"},{"code":"tt21994228","title":"Black Tea"},{"code":"tt18163414","title":"Copa 71"},{"code":"tt28618488","title":"Vermiglio"},{"code":"tt21224854","title":"Agent of Happiness"},{"code":"tt36458873","title":"The Helsinki Effect"},{"code":"tt27581865","title":"Grand Finale"}]}